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Well, there are grammar rules, such as the use of the apostrophe.

He must have a book out soon.

Didn't know Sugar Ape's posts can make or break your political career. I'm in awe of the man now.

At last, The Big Country. On Mann, I like Naked Spur, Winchester 73 is too B-movie for my taste, Bend of the River was a bit boring, and The Man From Laramie I always somehow give up caring and following the plot halfway through. I keep reading it's "Shakespearean", to me, it's more like a western soap. The Far Country was OK, Last Frontier I remember as being pretty silly, as was Devil's Doorway (although it starts as a very interesting and unusual film). The Tin Star and Man of the West I haven't seen in a while.

The Culpepper Cattle Co. and it's a good one.

Salah's goal will be an iconic moment, together with the one when we actually win it, not because it was a turning point in the race, but because it was that beautiful moment when we spontaneously, simultaneously, collectively felt we can turn around and say to other teams supporters what they have been thinking and what we have been thinking for weeks, yes, we are going to win the league.

He's probably thinking of Cable Hogue.

There is an old version? The new one is great.

Five most overrated westerns of all time Butch Cassidy and Sundance Kid The Magnificent Seven The Man from Laramie Little Big Man And it pains me because I love the first half it and I'm a massive John Ford fan but it's ultimately flawed and overrated The Searchers

Five of the most underrated westerns of all time The Big Trail (Raul Walsh, 1930) The Ox-Bow Incident (William A. Wellman, 1943) Westward the Women (William A Wellman, 1951) The Stalking Moon (Robert Mulligan, 1969) Bad Company (Robert Benton, 1972)

Stagecoach My Darling Clementine Red River Rio Bravo Wild Bunch

You may like it. Or if you have or discover Nazi leanings, there are some very uplifitng scenes.

I think the old "there is a good show in there somewhere" would apply here, except every time you think they are finding it, it goes in the wrong direction. Essentially, they're not interested in the book, except that they find the setting intriguing, but don't know what to do with the story. So it turns into something rather pointless.

Can You Ever Forgive Me? 5/10 Had high hopes for this (a struggling writer comes up with a way to survive in New York) because my girl Nicole Holofcener co-wrote it, but it's just... not very good. So, no, I can't. The script is relatively pedestrian and you can see why she didn't direct herself. Directing is not exactly accomplished which really isn't helping (overall pacing is odd, some scenes are strangely flat, everything feels rushed). Casting also feels wrong and both leads (Melissa McCarthy, Richard E. Grant) are struggling with how to play a pair of basically unlikable, obnoxious cunts. Story isn't very convincing, the biggest surprise is that it was actually based on true events.

If you replace Catholic with Shia Muslim, "so you don't expect any better", it would be a bit inappropriate, no?