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Sut

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Everything posted by Sut

  1. All available on Audible and other sites. American Werewolf isn't up for sale anywhere but I got a tape of it off ebay years ago and it's on Youtube.
  2. What's X Wing like? I've been thinking of getting a copy for myself. I've played Armada with my brother and quite enjoyed that. Rebellion is boss, but it takes about an hour to set up and an hour and a half to put away with three hours of play in between. Since lockdown, the game I've been playing is Imperial Assault, via the app. It's not perfect but is pretty fun.
  3. I love "standing in the way". They're doing right by their members by ensuring we have safe working conditions.
  4. That front page is fucking hilarious.
  5. One did bring a blue tit into the house a couple of weeks ago, which was chirrping away in his mouth. When I tried to take it off him, the little psycopath turned away from me and then snapped its neck.
  6. The producer, Dirk Maggs has done loads of amazing radio dramas with full casts, music and sound effects. You should check them out, they're great. Ones to try out are Batman Knightfall, The Adventures of Saxton Blake, Dirk Gently, The Death of Superman, An American Werewolf in London and Good Omens. He also did an adaptation of the unmade script for Alien 3 with Michael Biehn and Lance Henriksen that's ace.
  7. Our cats are generally good and don't bother bringing stuff in. However, on my birthday in January I was presented with a mouse's head. Not sure if it was a present or a warning. Today is my wife's birthday. She came downstairs and found a pile of cat sick, ALL the cats' toys and a mouse corpse. It's the thought that counts.
  8. I thought that you'd post that. Be interesting to see what Egerton's scouse accent is like for John Constantine.
  9. Marina Hyde is ace. https://www.theguardian.com/commentisfree/2020/may/12/civic-duty-prime-minister-boris-johnson-coronavirus Though it majors in killing, coronavirus certainly enjoys a sideways glance at inequality. In April, we discovered that the British TV show Holby City owned only one fewer working ventilator than the African country Liberia. On Sunday, construction and manufacturing workers were told to get back to work by a man who skived off five consecutive Cobra meetings during a wildly mushrooming global epidemic. Five! Boris Johnson couldn’t even be bothered to turn up and grip the government’s crucial early response to a deadly virus – are we supposed to believe he’d be rushing back to finish a loft extension out of civic duty? He’s not even prime minister out of civic duty. Still, that’s showbiz. You miss one universal credit meeting and your benefits are stopped; you miss five Cobra meetings and you get to address the nation on its working responsibilities from a drawing room so vast you’d need a hansom cab to traverse it. (When are we de-furloughing the hansom cabbies? I don’t care if they are dead and from the 19th century: that’s hardly a bar to this government assessing them as fit for work.) As for Johnson’s Sunday address, it was taped in advance, which at least spared people his involuntary smirk as they were apparently being told to trudge into work in 12 hours’ time. In fact, for a man who prides himself on his public speaking – he also regards his hair as winsome – Johnson is increasingly a pre-record artiste. Unlike Frank Sinatra or Dean Martin, Boris Johnson is not what you’d call a one-take performer. There’s a strong sense that a performing seal could nail it quicker, and with marginally less alarming flipper gestures. His live appearances on Monday cast Johnson as the hapless waiter of public health. Word salad! I have a word salad! Did someone order the word salad? In Johnson’s hands a Q&A becomes a Q&FA. You’re getting nothing from this guy. It doesn’t help, of course, that the public doesn’t like his new stuff. As you’ll be aware, the government has changed its central message with all the silky skills of me DJing. “Right, well, you’ve had enough of that one …” [horrendous needle scratch] “… let’s see what you think of this, which I like to think of as a medley of six kinds of music … Hang on, where are you all off to?” I suppose the worry with the government is that they will end up floor-clearing in a rather more permanent way. Anyway: “Stay alert, control the virus, save lives.” Though the slogan reads like it was produced by an off-brand smartphone left running overnight in a Ukrainian bot farm, some of the detail feels even more random. Take the plan to require international arrivals to the UK to quarantine for 14 days, which will start not even now, but at some unspecified point, soonish. This feels not so much like closing the stable door after the horse has bolted, as allowing the horse to bolt, then turning to your wife a couple of months later and saying, “Tell you what might look nice: a stable. Let’s get some plans drawn up. I feel like a door might be an idea? We could put it over there – where that horse we used to have used to be.” Perhaps it’s something to do with Johnson’s heavily foregrounded insistence on not rushing things, which also means we keep having to hear the phrase “baby steps” from a man who tends not to stick around to see them. Then again, absurdities are everywhere. As of Tuesday’s breakfast shows, it became clear that we have reached the stage of Edwina Currie turning up to deliver lectures on how to impart information during a public health crisis. I mean really, who better, short of exhuming Ronald Reagan? (Although he says just as much about Aids today as he did when it mattered.) In the end, no matter how wheedlingly Johnson appeals to the “common sense of the British people”, it’s hard to escape the sense that he’s ruling carelessly on workers who don’t get to ask, “What’s my motivation?” Their part in the war effort, and all that. And yet, without underplaying the strategic importance of whatever white elephant luxury apartment complex any labourers are currently working on, there’s a chance they’re wondering whether they really are as key to the war effort as the guy running the entire war. If only Johnson had gone “back to work”, as it were, in February, instead of repairing to Chequers to sort out his divorce/remarriage/endless drama cycle. The government was told from multiple quarters that they would be playing a doomed game of catch-up if they didn’t act fast in February and early March, when – had we wished to learn them – the lessons of other countries were already becoming available. Failure to do so has got us where we are – a place where we have tanked the economy AND STILL notched up the highest death toll in Europe, and the second highest recorded in the world. If you give us some stools, we’ll fall between them. It is mid-May. You now cannot optimise for both safety and the economy. Yet they would in much greater part have gone together had we acted more quickly. This, alas, is the dramatically ironic way that time works in the coronavirus era. An action you did or didn’t do doesn’t have immediate consequences, but you reap its harvest on a lag. If you made a mistake several weeks ago, it doesn’t show up at first, but the consequences are most surely in the post. Odd that Johnson didn’t reflexively understand this concept, given his extensive experience with both ancient Greek tragedy and unplanned pregnancy. He does cut a faintly tragic figure now, released each morning by his handlers into St James’s Park with a mug and told to do his business, then snuffle about until he finds the photographer. “We will be governed entirely by the science,” he kept gibbering on Monday. We will be governed entirely by you, more’s the pity. It all comes back to the idea of public service, on which the prime minister is also failing to play catch-up. You wouldn’t find a single friend of Johnson’s who would begin to pretend he got into politics out of some commitment to public service, or even the vaguest set of ideas about how things should be run. A certain amount of egotism comes as standard, of course, for holders of his office. But whatever people on all sides thought about a huge range of previous prime ministers, there was at least an element of public duty to them, however disagreeably to some they might have chosen to express it. To even suggest it of Johnson would be screamingly absurd and everyone knows it. There is literally nothing there except personal ambition – and we’re all condemned to live within his limitations in a situation where they’re at their very deadliest.
  10. I've just finished John D MacDonald's One Monday We Killed Them All. It's only short but isn't too bad. I've got a couple I've just started. One, The Elementals by Michael McDowell is a gothic horror set in the Deep South. The other is The Emperor of All Maladies: A Biography of Cancer, by Siddartha Mukherjee.
  11. I got my mate in work a savoury from the local chippy and her mind was blown. She's a thirty year old from Formby and wanted to know what delicious sorcery this was and why her parents hadn't introduced it to her as a child.
  12. The new Star Wars films suffer because they basically took everything that was accomplished in the first films - the redemption of Anakin Skywalker, the defeat of the Empire and the death of the Emperor - and rendered them pretty pointless really. The First Order are just cosplayers of the Empire mashed up with the Spaceballs and never feel like actual villains, just a gang of douchebags in jodhpurs and massive hats. It feels like each of the new trilogy left too much unexplained and that the scripts were written with an eye on what would be cool rather than having an actual story and stitching together a series of these scenes. The original films are really economical. They hint at back story (clone wars, that bounty hunter on Ord Mantell etc) without them having a massive impact on the story contained within each episode. The new ones seem to rely upon you having filled in the backstory by reading around them. One other thing that really gets on my nerves about all of the recent Star Wars productions is the constant look of awe on everyone's face, coupled with the knowing nods to the fans. Also, given that Tatooiine is the furthest you could be from the bright centre of the universe, I'm sick of the fucking place. No wonder Luke wanted to bail. But then again, Star Wars is not aimed at 41 year old me. 7 year old me would probably have loved it.
  13. Watched Scary Stories to Tell in the Dark last night. It was boss.
  14. Given I teach ten year olds, I'm quite affronted on their behalf. I didn't even make it halfway through the Da Vinci Code. I can't understand the fuss, really. If anyone is after a decent crime novel, Nobody's Angel is a novel written by Jack Clark and published by Hard Case Crime. He was a taxi driver in Chicago and was writing this novel on his downtime. He self-published it and was selling it to his passengers before it was picked up by HCC. It's a boss book, as are a lot of those Hard Case Crimes.
  15. Was it Octopus or Warlock? I downloaded samples of each of them, along with They Shoot Horses, Don't They? There are always tons of great suggestions for other reading in his books. It's also worth just googling his recommendations. I'd definitely read Widow's Point, I really enjoyed that.
  16. I've read the first two in that Winslow book and loved them both. I'm trying to stretch this book out so I'm reading different things in between each story. I had a go at a novella by Richard and Billy Chizmar called Widow's Point, a ghost story set in a light house. Next is a hard-boiled John D MacDonald novel that is mentioned in the first story of Stephen King's new collection called One Monday We Killed Them All. Not sure what it's about.
  17. Anyone reading The Dark Tower for the first time needs to get hold of the original version of The Gunslinger and read that as the opening book instead of the revised edition. You'll understand why when you get to the Tower in book 7. I'm 2/3 through his new collection - loving it so far. Wasn't overly fussy on the second story to begin with but it pulled me right in and now I love it. Re: his son Joe Hill, I love his stuff. If you've only read his books, Sugar Ape, you should try his comics. Wraith is a run-in to NOS4R2 and Locke and Key is immense - miles better than the series on Netflix. He's a nice fella, as well. I've met him a couple of times at signings in town.
  18. "What a cunt Peston is" was pretty much the caption I'd typed in and then deleted.
  19. I'm going to be juggling the new Don Winslow set of novellas with Mr King's from tomorrow. I think it'll be one from each, bouncing back and forwards.
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